In the ensuing gunfight, Hawasch and Fine are killed, Spoerri and Georg are taken into custody, and the Countess is rescued. The character Dr. Mabuse, who disguises himself, manipulates people, and is a notorious gambler, embodies all senses of the word. Upload, share, search and download for free. [3], It was during the production of this film that Lang and von Harbou began their affair which would ultimately result in their marriage. IMDb But, for some reason, the plot is stretched over four and a half hours when there’s barely enough to fill two, which bizarrely makes this a kind of spiritual predecessor for the overly-long streaming series that easily could have been tight 90-minute films. Dr. Mabuse, Der Spieler (1922, 89 percent on the Tomatometer) is a master of magnetism, a hypnotist, an actor, an impersonator with multiple identities and, of course, a gambler. One of Mabuse's key skills in the film is as a counterfeiter, but in the novel he never engaged in this. The Testament of Dr. Mabuse (German: Das Testament des Dr. Mabuse) is a One of Fritz Lang's most wellknown works, and a classic piece of German expressionism. [6], Berliner Illustrirte Zeitung called the first part "the attempt to create an image of our chaotic times" in its 30 April 1922 issue. There are some genuinely captivating scenes and others where by the end I question the point of them. A fascinating thriller about the manipulative forces that lay just below the surface of society. The first part is pretty amazing. I've wanted to watch this film for years - and now I've watched after what seemed like years. [8] Variety felt the best parts of the movie were the scenes between Mabuse and Von Wenk. It was definitely creative, and I was definitely able to tell through the stylistic decisions that the guy who directed this also directed Metropolis. Inferno: A Game for the People of our Age (Inferno: Ein Spiel von Menschen unserer Zeit). For being so long, the film’s plot can easily be summarized in a…, You're right, countess... nothing in the world is interesting for any amount of time! Dr. Mabuse speculates that the Count had fallen under the control of a hostile will, and asks von Wenk if he is familiar with the experiments of one "Sandor Weltemann", who will be performing a public demonstration of telepathy and mass hypnosis at a local theater. tiene cosas muy buenas, pero no te enteras de 1/4 de la película, a parte de que a veces no sabes quien es quien y la trama es quizá demasiado compleja. MABUSE, THE GAMBLER picks up where the original left off--with Rudolf Klein-Rogge, reprising his role as the mad Dr. Mabuse, in a cell in an insane asylum. Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. [3] The introduction starts with Mabuse shuffling a deck of photos like playing cards which will determine which disguise he will use that day and culminates with Mabuse manipulating a stock market crash. When I read about this film essentially being a crime thriller, I thought that the change in direction could be quite fascinating and it was. Dr. Mabuse is neatly segmented into parts and acts for serial watching, and La Roue is in two parts, each in the typical length range of a feature film. But in modern times, both parts are lumped together, so I guess it is expected to sit through the whole thing, a daunting task considering the current generation’s attention span. The Countess, moved by Carozza's passion, tells von Wenk that she cannot continue to assist him. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. "A mere pastime, but then again, everything today is pastime." The criminal mastermind (Rudolph Klein-Rogge) is a hollow husk with a controlling eye and a bottomless supply of disguises, elderly aristocrat and proletarian agitator flow equally from his makeup box. LIGHT SPOILERS FOR BOTH: Dr. Mabuse: Fritz "Fucking" Lang. Some of the camera tricks and hyper-stylization in this still feel inventive, rendering the film timeless. [3] Film historian David Kalat points out that by eliminating reference to Mabuse's motivation Lang starts to dehumanize the character, which helped lead to the character becoming a franchise. I’m not really sure if the audience…, not my fav german expressionist film, i want MORE GOTH. Mabuse, der Spieler’ It's split into two parts and holds a runtime of four and a half hours; which were initially released a month apart, and its style is firmly rooted in the expressionism of the period and strengthened with a cloak of stylish fashionability which recognises the social environments of the amplified class tension in Germany at the time. [3] The film also eliminated a subplot in which Mabuse's actions are shown to be motivated by a desire to create his own country within South America. The film is silent and would be followed by the sound sequels The Testament of Dr. Mabuse (1933) and The Thousand Eyes of Dr. Mabuse (1960). Doctor Mabuse, who featured in the novels of novelist Norbert Jacques, is a master of disguise and hypnotism, and Dr Mabuse the Gambler is the first movie about the character. The film stars Rudolf Klein-Rogge as Dr. Mabuse and Bernhard Goetzke as Prosecutor von Wenk. [3] But Kalat also notes that this eliminates the irony of the fact that Mabuse was seen by many viewers as a representation of aspects of Adolf Hitler, and many Nazis actually fled to South America after World War II. Is there any better feeling than watching a film that's 100 years old and finding it not only fresh, but refreshing. Cinematography and acting are great for it's era and I did enjoy the film to an extent but it was also a little bit of a chore to get through. Von Wenk questions her for information about the "Great Unknown", but she refuses to speak. [2] It went on to state that it "will give people fifty or one hundred years from now an idea of an age that they could hardly comprehend without such a document. Edgar Hull, the son of a millionaire industrialist, becomes Mabuse's next victim. (In the DVD package, each half is on a separate disc). Technical invention, totally precise mise-en-scène, a pursuit of all the things that cinema can be and do. Report this film. He visits gambling dens by night under various guises and aliases, using the power of suggestion to win at cards and finance his plans. Mabuse attempts to hypnotize von Wenk, but he effectively resists. He sabotages a courier who is carrying a trade agreement, initiating a stock market panic. Von Wenk goes undercover at a gambling den, where he encounters a disguised Dr. Mabuse. "[2] Film-Kurier praised Klein-Rogge's "brilliant performance" and Lang's "sensitive yet experienced" direction. A Game of People of Our Time., Dr. Mabuse, der Spieler. Dr. Mabuse is a criminal mastermind, doctor of psychology, and master of disguise, armed with the powers of hypnosis and mind control, who oversees the counterfeiting and gambling rackets of the Berlin underworld. [3] Yet another view saw populist themes in the film. Von Wenk enlists the aid of Countess Told (nicknamed the "Passive Lady"), an aristocrat bored by her dull husband and seeking thrills wherever she can find them, to try to get the information by trickery. Peter Stanley 1,235 films 47,971 1386 Edit, All the films from all the editions, including those subsequently removed, presently totalling 1235. Fritz Lang . [2] A contemporary Nazi critic wrote that Mabuse is "a quintessential Jewish figure" who goes through time with the singular goal of "mastery of the world" regardless of the consequences to others and whose descent into insanity caused his crimes to go unpunished in what the Nazi critic described as "the typical case of the Jewish criminal".
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